Faceted City – Nairobi

Published Saturday magazine Nation media 22 July 2017

Above: Models in elaborately beaded costumes from Cameroon at African Heritage House – Picture copyright Gilbert Otieno

The old train streams out on the century-old metal sleepers of what was then the Uganda Railway. Leaving Nairobi Railway Station that is a historical building, the train slowly passes by a city that a hundred years ago was filled with swamps, grasslands and wildlife like rhino and lions.

Chugging out of Nairobi from the Nairobi Railway Station - copyright Rupi Mangat
Chugging out of Nairobi from the Nairobi Railway Station – copyright Rupi Mangat

The skyline commands a vertical city with buildings competing for height, traffic and people. It changes a few minutes later – from the heart of a city to the suburbia and slums of Kaloleni, Makongoni, Makadera, Donholm, Buru, Mukuru kwa Njenga with its enormous silos of cereals, Imara Daima and then Syokimau’s gleaming terminal for the new standard gauge railway. Past Embakasi and the gigantic bridges for the new locomotives to pass over Nairobi National Park and finally we disembark at the African Heritage House for the launch of the app ‘We Wear Culture’ by Google Arts & Culture.

At the launch of Google’s Art & Culture, a world wide event, models wear the African Heritage Collection at African Heritage House. Rosemary shows “Adinkira” cloth hand printed with calabash stamps by the Ashanti in Ghana. Male model wears an “Agbada” hand woven on narrow strip looms by Yoruba men in Nigeria.
At the launch of Google’s Art & Culture, a world wide event, models wear the African Heritage Collection at African Heritage House. Rosemary shows “Adinkira” cloth hand printed with calabash stamps by the Ashanti in Ghana. Male model wears an “Agbada” hand woven on narrow strip looms by Yoruba men in Nigeria.

It’s an amazing app that features the exhibits of the African Heritage House that Alan Donovan with his late partners – Sheila and Joseph Murumbi –  collected. It’s also a fitting accolade for the trio’s efforts with the launch of the app at the iconic house that’s modelled around the mud mosques of Timbuktu and other African architecture.

Reviving History

The Uganda Railway built between 1894 and 1901 from Mombasa to Kisumu – almost 1000 kilometers – using sheer muscle and grit of the Indian labour employed by the British in the new colony –  was central to Kenya’s economic development at the start of the 20th century.

By the middle of the 20th century, it had transformed the lives of thousands of Kenyans – many moving from the villages to the city in search of jobs and opportunities.

Railroad neighbourhoods out of Nairobi – copyright Rupi Mangat

On the return journey, as the train moves past Kaloleni, l’m reminded of the Last Dance in Kaloleni, a script by Bettina Ng’weno, who is an associate professor at the University of California, Davis teaching classes on the African diaspora in Latin America and Asia.

The script for the movie (in the making) is about the dance competitions in the social halls of the railway estates during Kenya’s segregated times of 1958-1959 – a time when the country was in the throes of independence.

“And the story of the railway is the story of Nairobi,” tells Ng’weno. “An urban Nairobi that pre-dates everything now; a historical Nairobi where the urban Africans are not a misfit but rather creators of the city.”

Papillon starred at the Google event at African Heritage House playing an assortment of hand made musical instruments based on instruments thousands of years old. He wears a velvet cap studded with “fetish gold” from the Baoule of Ivory Coast.
Papillon starred at the Google event at African Heritage House playing an assortment of hand made musical instruments based on instruments thousands of years old. He wears a velvet cap studded with “fetish gold” from the Baoule of Ivory Coast.

Kaloleni was then an upscale neighbourhood for Africans, a place for politics before independence with the beginning of a class structure.

The social halls of the time were frequented by stalwarts like Kenya’s third president Mwai Kibaki and the late Tom Mboya who was instrumental in negotiating Kenya’s independence including Uganda’s first president Milton Obote and Obama Senior, the father of the previous American president Obama and the political activist and writer, Muthoni Likimani.

Dance competitions took centre stage with a dedicated radio programme called the Railway Show Boat featuring legends of the times like Fadhili Williams of the Malaika fame. Politics were discussed about Kenyatta’s release from detention, labour issues and the question of independence.

And people came to Nairobi to stay with families to compete in the dance competitions in the social halls.

“It was like winning a lottery if you won,” continues Ng’weno.

“It was also the beginning of a certain Kenyan style music of the 1950s now called zilizopendwa – or the ‘golden oldies’ – that combined Caribbean sounds, the twist, South African beats and local rhythms that became the sound of Nairobi.”

And then we’re back in present day Nairobi where few youngsters could relate to the neighbourhoods of the old.

Tour Nairobi

Love trains – Hop on to the old locomotives run by Kenya Railways http://krc.co.ke/routes-rates/ . They only do the Nairobi run and the environs. Check the web for routes and rates.

Pop in at the Nairobi Railway Museum Phone+254 724 380975 – and take time to explore it especially if you’re into steam engines and because the museum has a lot to tell of a Nairobi and the country once upon a time.

Take a tour of African Heritage House http://africanheritagehouse.info/ – with its collection of everything African – from rare textiles to jewellery and sculptures.

 

 

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